Friday, December 2, 2016

Advent at the Archives and Special Collections - 2nd December

Over the years the Quadrangle at NUI, Galway has become one of the most iconic and enduring symbols of Galway, featuring on postcards and in many other publications. Today's photograph comes from An Teanglann Collection, the audio-visual service of the university which not only looked after the audio-visual requirements of the university for many years, but also kept a photographic record of changes in the physical structure of the campus.
Today's image features the Quadrangle, taken from the side, with a light dusting of snow to add to that festive feeling.

Thursday, December 1, 2016

Advent at Archives and Special Collections

To celebrate advent we will be uploading an image a day from various collections across archives and special collections here at the James Hardiman Library - which celebrate Christmas. Our item for the first day of advent features a hand-written copy of poem "Mi Nodhlaic", 1879. Written by Doglas Hyde in a book he had acquired the previous year, John O'Daly, Reliques of Irish Jacobite Poetry by John O'Daly, published by John O'Daly, Rose-Inn-Street, Kilkenny in 1844.
This book, along with many others, arrived in with the Eamon de Buitlear collection - which, along with the archival material, cover a range of cultural topics, as well as the landscape and countryside of Ireland and elsewhere. Eamon's father would have served as aide-de-campe to An Craoibhin during his time as first President of Ireland. The poem itself shows the early efforts of An Craoibhin to compose in Irish, and to gather books on the literature and language of Ireland.

Wednesday, November 30, 2016

Abbey Theatre Digital Archive Project - Podcast of Seminar at James Hardiman Library

The James Hardiman Library at National University of Ireland, Galway, hosted a seminar on Tuesday 4 October which told the story of the Abbey Theatre Digital Archive, created by one of the largest theatre archive digitisation projects undertaken worldwide. It reflected on challenges faced, lessons learned, new opportunities and impact on academic mission, library and archives.

All talks have been recorded with audio podcasts available at the following link:

 Slides from many of the presentations are available here:


1100    Welcome and Introduction (John Cox, University Librarian, NUI Galway)
1110    A brief history of the Abbey Theatre archive (Mairéad Delaney, Archivist, Abbey Theatre)
1140    Digitising the archive (Martin Bradley, Archives Consultant, and Aisling Keane, Digital Archivist, NUI Galway Library)
1210    The Abbey Theatre Early Minute Books Project (Cillian Joy, Digital Library Developer, NUI Galway Library, and Patricia O’Beirne, Abbey Digital Archive PhD Fellow, Centre for Drama, Theatre and Performance, NUI Galway)

1340    The academic impact of the Abbey Theatre Digital Archive (Professor Patrick Lonergan, Centre for  Drama, Theatre and Performance, NUIG)
1410    Data mining case study (Marc Mellotte, Applied Innovation Unit Lead, Insight, NUI Galway)
1430    Staging the Archive: mediating user engagement and experience (Barry Houlihan, Archivist, NUI Galway Library)
1450    The researcher experience (Christopher McCormack, Abbey Digital Archive PhD Fellow, Centre for Drama, Theatre and Performance, NUIG)
1510    The transformative impact of the Abbey project on NUI Galway’s Library and Archives (John Cox, University Librarian, NUI Galway)
1530    Close

Monday, November 28, 2016

Podcast: Prof. Frank Shovlin - Mining the Literary Archive of John McGahern

Welcome to this podcast from the Archives of the Hardiman Library, NUI Galway. This episode features a conversation with Professor Frank Shovlin, who shares his experiences and thoughts from extensive research carried out on the archive of writer, John McGahern.

Prof. Frank Shovlin
Frank was educated at University College Galway where he took BA and MA degrees before moving to complete doctoral studies at St John's College, Oxford. In 2008 frank became a senior lecturer at the University of Liverpool and in 2014 took up the role as head of department at the Institute of Irish Studies at the University of Liverpool.

Frank has earned numerous competitive fellowship awards, notably Leverhulme Study Abroad Fellowships and Moore Institute Visiting Fellowships which enabled detailed study of the Archive of John McGahern.

Frank has published widely in leading journals and publications on Irish literature, print culture and related topics. Previous monographs include "The Irish Literary Periodical 1923-1958" ; "Journey Westward: Joyce, Dubliners and the Literary Revival" and Frank's most recent monograph is entitled "Touchstones: John McGahern's Classical style"

Items from the McGahern Archive at NUI Galway
In this conversation Frank discusses his engagement with the archive of the archive John McGahern and how that archive has influenced Frank's research.

Friday, November 25, 2016

Can Ireland Afford to Fatten a Sacred Cow? #ExploreArchives

Fifty years ago in the late 1960’s, Ireland was commemorating the 50th anniversary of the 1916 Rising. As with this year’s centenary celebrations, Ireland’s citizens contemplated the direction our nation was taking, considering issues like our nationhood, our place in the world, and the Irish language and its revival.

There were some who objected to the elevated status the Irish language received in school
curriculums and in public sector recruitment, on the grounds that Irish was not the principal language spoken in the state, and the large amount of time devoted to teaching it compromised the standard of education received in schools. An organisation called the Language Freedom Movement (LFM) was established who believed the State had an unrealistic attitude towards the Irish language, and noted there were few opportunities to speak the language in everyday life, while Irish-speaking areas were shrinking due to economic circumstances leading to emigration.

The Irish language became a highly emotive issue through the 1960s, and the growth of television broadcasting during this decade amplified the reach of the debate.

The LFM organised many public meetings, which tended to descend into total chaos. A public meeting organised in 1966 was advertised by a provocative poster, shown here. It depicts a bloated cow named ‘Gaelic Language Policy’. The cow is sprawled on an armchair named ‘Irish Education’.  A child is pinned beneath the chair, and the cow smokes a currency note from a large barrel filled with money. 

On the night of the meeting, approximately 2,000 people, mostly unfriendly to the organisers of the meeting turned up. An eyewitness commented:

“Union Jacks were waved derisively at the platform. On the platform itself was an Irish tricolour which a member of the audience made haste to seize at the outset, shouting that the national flag should not be displayed at a meeting of this kind. As he was hustled away, a shower of papers was flung at the stage, and a stink bomb was let off. Immediately after this, a fight broke out, involving about 10 men. It was evident there was going to be serious trouble unless something was done to lower the temperature”.  

A report from RTE’s Seven Days programme shows some footage from one of the meetings.

The Language Freedom Movement continued their campaign into the early 1970s, with involvement in the by-election campaigns of the late 1960s, and involvement with parents involved in disputes with schools about education standards.

The archive is one of the collections in NUI Galway, which documents their campaigns, and correspondence with members of Connradh na Gaeilge and Gael-Linn. The archive is complemented by other papers relating to the time, notably the archive of Prionsias Mac an Bheatha, who was involved in the other side of the debate.

If you are interested in finding out more, you can view the descriptive list.

The collection can be viewed in full in the Archives and Special Collections Reading Room.

Thursday, November 24, 2016

Auto Archives - Motoring Through History - #ExploreArchives

Today's theme looks at cars and the history of motoring in various collections. Being able to look back and admire the design and engineering of early cars in the twentieth century also prompts us to look at how the needs of motorists have also changed over the years. Records from the Galway Town Commissioner's ledgers of minutes and correspondence (Collection LA4) show how in 1918, as the War was still ongoing in Europe, a concern for the local Town Commission was the level of damage being caused to local roads owing to the increased volume of army vehicle traffic. Read the entry from the volume in full below:

 Some other items and images of interest are from the photographic archive of Jean Ritchie and George Pickow. Ritchie was a celebrated American folk singer, who was part of the famous 'Singing Ritchies' family of Appalachia area of America. On Fullbright scholarship trip to Ireland in the early 1950s, Jean travelled around Ireland collecting folk songs from various individuals. Accompanied by her husband George Pickow, their trip records not only the image below of Jean with, perhaps, a Daimler car in 1953. (A positive I.D. on the make and model of the car is welcome!)

Also of interest within this collection are wonderful images of Dublin's O'Connell street in the early 1950s. We are used to seeing Dublin's streets choked with traffic today but we can but imagine the quite recent past of the 1950s where bicycles far outnumbered the number of cars on Dublin's main thoroughfare. These images show another side of Irish society, before the motor car became the primary mode of transport in today's society. It is also of the period between when Dublin's original tram system was removed and today's modern LUAS was reinstalled onto Dublin's streets.


Wednesday, November 23, 2016

Did a Hollywood star come to UCG in 1928? - Explore Archives

The visitor book of Queens College Galway/University College Galway is a record of all guests and notable visitors to campus for the years 1877 - 1928. A simple volume like this was in use when the campus comprised only the Quadrangle building we know today but carries huge significance within the hundreds of signatures within its pages. The book covers a span of years that was revolutionary, in many senses, in Ireland and for the University with its place within the network of 'Queen's Colleges' of Ireland and the U.K.

Through the years the book was in use, it witnessed the growth of the University, the rise and fall of Charles Stewart Parnell, the reign and later death of Queen Victoria, the 1916 Rising which had ripple effects across the west, the first world war which saw staff and students of the college enlist and also die on the battlefields of Europe, the 1918 Election, and other major events through the Revolutionary period in Ireland, through to the late 1920s.

The book has been on display in the Archives and Special Collections Reading Room for much of this year as a centre-piece of the exhibition, "A University in War and Revolution: 1913 - 1919". A truly unique occurrence happens in August 1899 when both Pearse brothers, Padraig and William, sign the register as visitors to campus. It is a rare occasion in history where both brothers' signatures are signed side-by side.

Signatures of the Pearse brothers, QCG, 1899

However, another curiosity occurs at the very last entry in the book. Dated 1928 is the signature of 'Douglas Fairbanks', Hollywood, Cal[ifornia]." There is no available information as to why Fairbanks, one of the most celebrated actors of his generation at the time was at UCG. Fairbanks was married to actress Mary Pickford at the time, who had Irish roots. Was he here as a guest of the President of the University or an academic? Was he on holidays in the region at the time? Or was the signature a prank by a student of the day?! Any film buffs out there who might have any clues, do let us know.
Signature of Douglas Fairbanks, UCG, 1928